Post by Old Man Dream on Feb 16, 2019 22:57:21 GMT
Alita: Battle Angel is an American live-action film adaptation of Yukito Kishiro’s Gunnm manga series, which goes by the name of Battle Angel Alita for American releases of the manga. The series is set in a post-apocalyptic world where the luxurious city of Zalam floats above the scrapyards where society’s outcasts scavenge, commit criminal acts, or become bounty hunters called hunter-warriors to get by. Cyber surgeon Dr. Daisuke Ido finds the remains of a cyborg girl and repairs her, giving her the name of Alita as she has no memories of her former life. Seeking answers to her lost memories through fighting, Alita becomes a hunter-warrior against Ido’s wishes after discovering that he is one as well.
Alita: Battle Angel was a movie project that director James Cameron had aspired to want to work on for years, with the film being in development hell for a while until it was announced in 2016 that the project was finally in production. The film adapts story and character elements from the first four volumes of the original manga series, the later Last Order manga, and the 1990s OVA adaptation of the series.
Many Western live-action adaptations of Japanese anime and manga titles often get a bad reputation for being very loose with adapting their source material, a most infamous case being with Dragon Ball Evolution. As far as Alita goes, this film actually does a solid job with being faithful to a number of the plot elements and character developments explored in the manga series. Alita is still depicted in seeking answers to her past through fighting and the film still depicts life in the scrapyards as being a rough one for many of its inhabitants due to Zalam’s influence. This film does combine a number of the plot elements from Alita’s time as a hunter-warrior and her later motorball run together to put together its plot, though these elements are meshed together rather cohesively for the most part with its two-hour runtime being enough to flow through its key events without feeling too sloppy in pacing.
Perhaps the major highlight of Alita though is the implementation of CG animation. A good number of the characters in Alita are known to be cyborgs that make use of various forms of cybernetic implants to replace body parts or to become stronger than their human body’s natural limits. The movie does an excellent job with the rendering of its CG animation for cyborg characters to seamlessly blend in with the live-action camera shots with other characters without sticking out like a sore thumb. The film also sports some impressive choreography and visual spectacle coming from its many action scenes, among which include Alita’s fights with enemy cyborgs and her later involvement with motorball.
That isn’t to say the film is all good though. The film’s mood is noticeably a bit more lighter and not as gritty and bleak as the manga series. The scrapyard’s inhabitants are shown to have somewhat more stable lives with locals shown freely playing motorball at one point in the film and not feeling as dystopian. Sure, the key dramatic scenes of the manga are still intact and I could live with the more violent content from the manga being toned down for the movie to attract a more wider audience. But not being totally faithful to the manga’s mood was a rather glaring aesthetic change I took notice of with the feel of the movie.
I was also not a fan of how the film handled Alita and Yugo’s relationship. The movie depicts it as a typical puppy-love teenage relationship that you could find out of many Western live-action movies to a large degree and I wasn’t convinced of the altered chemistry that the film puts together for their relationship, compared to how nuanced that the manga depicts it in comparison.
The other issue I have is the rather open ending that Alita leaves things on for its plot. Without spoiling too much, a major villain within the series is still at large and is hinted to with some scenes shown throughout the movie. However, said villain never makes an appearance and remains a largely unknown character as a result. It looks like this may be have been done deliberately to set up a possible sequel down the line since the later five volumes of the original manga and Last Order have yet to be adapted. But whether or not this happens will likely come down to how well the movie grosses money while in theaters.
Still while having its faults, Alita: Battle Angel is still one of the better American live-action film adaptations of an anime/ manga series since it does make an effort to try being as faithful to its source material as possible. If sci-fi action titles or if you’re curious over how this American spin on Alita adapts the manga, I’d at least recommend checking out the movie once.
When you mentioned toning the film down for a wider audience, it reminds of superhero films afraid of doing the R rated thing.
Movie studios aiming for a PG-13 rating seems to be a recurring trend for many movie releases nowadays to attract as wide an audience as possible since having a more age-restrictive rating affects box office revenue for the studios. In the case of Alita, it usually gets quite gory with some of the criminals that Alita and Dr. Ito confront, one particular case involving a cyborg serial killer known to eat the brains of his victims.
Ah, the pointless insert of romance as a sub plot. Oh it was an actual romantic relationship in the original source material.
The love Alita has for Yugo in the manga goes unrequited, mostly because Hugo is too focused on his goal of trying to making it up to Zalam. Alita does confront him about his feelings for her shortly after learning of his criminal activity and exchanges a kiss with him, but she's the only one to engage in anything close to romantic.
Not a lot of manga/anime adapted films get sequels. It would too much to rush or end on a higher, closed more albeit changing things in the film
I'm sure this will come down to how well the movie performs in theaters. The movie production budget was about $170 million and was a project that James Cameron wanted to put together for years. A sequel's certainly within the realm of possibility with how much can still be adapted from the manga. But, suppose we will have to wait and see.
Taka: How strange, when I log in, the colors via Fire Fox disappear. If I log out, I can see the color for hyperlink words. Anyways, been noticing God of High School has been the talk for WWE folks.
Jul 28, 2020 1:35:11 GMT
Taka: A studio that brought the world Elfen Lied is saying farewell. I still need to see that anime.
Aug 6, 2020 5:38:49 GMT
Taka: Holy moly, Inuyasha's sequel is coming to October 2020. I didn't expect it to air this year.
Aug 7, 2020 3:46:08 GMT
Master Menos: Pressing F for Studio Arms. Some of their titles were fun.
Aug 7, 2020 5:46:37 GMT
Old Man Dream: They weren't my cup of tea as a studio, but they had a few titles I enjoyed like Genshiken 2, Maoyu, and I"s Pure.
Aug 7, 2020 12:45:56 GMT
Old Man Dream: Updating on the current series I'm watching from my latest poll: First season of Emma's complete. Not sure of an exact timeline when I'll complete the second one, but aiming to at least be done by next weekend if things don't get too hectic.
Aug 9, 2020 20:00:50 GMT
Taka: Upon looking at their list, I watched a lot of their shows. Just relaxing today. Not working like yesterday especially with the strange heat wave.
Aug 9, 2020 23:12:04 GMT